Women’s Herstory Month 

“Women are like teabags. We don’t know our true strength until we are in hot water.” Whether First Lady Eleanor Roosevelt actually said this is unknown, but women’s true strengths often go unrecognized, even by women themselves. Let’s reflect on a mostly unknown woman’s story and her accomplishments.

Austrian-American Gerda Hedwig Lerner taught American history and initiated the first college course on women’s history in 1963 while an undergraduate in New York’s New School for Social Research. Subsequently, she created the first known master’s degree program in women’s history at Sarah Lawrence College and first doctoral woman’s history program at University of Wisconsin-Madison. Her mission was simple: she wanted to offer studies in “people who did not have a voice in telling their own stories.”

Lerner’s early history included anti-Nazi resistance in Austria as a Jewish woman. She volunteered for “Red Aid” to help those who were arrested. Along with her mother, Lerner was jailed for 6 scary weeks, spending her 18th birthday imprisoned. She lived in a cell with two Christian women who were detained for political reasons. Her cell mates shared food with her as Jews received restricted meals. Lerner was able to immigrate to America with the aid of a sponsor – the family of her resistance fiancé. There are many poignant immigrant stories of individuals who escape dire circumstances to later enrich our collective history.

With her second husband, Lerner co-authored the screenplay of Black Like Me based on white journalist John Howard Griffin’s epic 6 weeks of traveling in the South disguised as a black man. Her doctoral dissertation told the story of resistance sisters from a slaveholding family who left their Southern home to become abolitionists in the North.

Learner became a founding member of the National Organization for Women (NOW) and began publishing books on women’s history with such titles as Black Women in White America (1972), and The Female Experience: An American Documentary (1976). She organized the first Women’s History Week in 1979, modeling it after a weeklong celebration of women’s contributions to culture and community by the Sonoma, California school district.

President Carter followed up with the first presidential proclamation to assign the week of March 8 as National Women’s History Week in 1980. Congress passed a resolution declaring a national celebration the following year. With the support of the National Women’s History Project, in 1987 Congress extended this recognition of women to our current month-long event every March. The United Kingdom and Australia followed to celebrate every March. Canada chose October for their women’s history recognition to correspond with their Persons Day on October 18th.

The 2025 theme of Women’s History Month, “Moving Forward Together,” celebrates equality and women’s collective strength. Equality includes children and men. Equality includes immigrant families. My equality ancestors were immigrants. How about your equality ancestors?

Pearls of Peace (PoP) Quiz

375.  How many women do you know who accomplish great things but are mostly unknown?

376. What women’s stories can you tell in Women’s Herstory Month?       

Music as Change Agent

Translated Vase, Yeesookyung, 2015, Art Institute of Chicago

“We are going to change the world with music,” states one of Venezuelan Ron Davis Alvarez’s music students. Alvarez is a 2024 Top Five CNN Hero; he pieced together his free Dream Orchestra to give refugees, immigrants, and native Swedes an opportunity to learn an instrument. Beginning with 13 students, he characterizes his Dream Orchestra as music “family” with 405 current participants who speak 25 different languages in Gothenburg, Sweden. The 3-56 age-range participants rely on music as their common language. Alvarez’ dream is for Dream Orchestra to help people translate traumas through finding joy and compassionate connections in life.   

Native author Louise Erdrich captures the essence of both day/nighttime dreams: “What are dreams but an internal wilderness and what is desire but a wildness of the soul?” Alvarez could agree; he compares playing his violin to electricity. Music and art are energetic change agents; they can electrify both artists and their audiences.

Dreamer Alvarez grew up in a Caracas slum where drugs and violence were commonplace. His family moved frequently. His grandmother’s house was across the street from El Sistema, a free classical music training program for low-income communities. The young Alvarez heard wafting music from musicians practicing. He loved the sounds and learned to play violin at age 10; his zest for music led him to become a teacher at 14 and a conductor by age 16. He started Greenland’s first youth orchestra before settling in Sweden. Part of his Dream Orchestra is composed of refugee teenagers from Syria and Afghanistan who came to Sweden alone.  

Every Saturday his fledgling musicians gather in a church to make electricity. Alvarez defines music education: “It’s about giving you new opportunities [for] learning about life, about challenges, about dreaming, about…connecting you to your soul.”  

Conductor Alvarez bridges different cultures by having students learn a wide range of works from around the world, including many from their diverse homelands. He also teaches Swedish compositions, so students learn about their newfound home. Alvarez and some members of his orchestra help with housing, food, and connection to outside resources and support. This outgrowth from the music comes from the friendships formed. The Alvarez connection with his musicians runs deep: “When someone comes and says, ‘I have this problem,’ then we all have the problem.”

Hansson-Khorsand says he could not have adjusted to life in Sweden without the financial and emotional support he received from Dream Orchestra. Now married and a father to a young son, he has a job helping refugees find work. Alvarez is mentoring him in preparation for studying music at college.

Alvarez’ new dream is finding others to replicate his work. He has supported programs at refugee camps in the West Bank and Greece. Korean artist Yeesookyung also celebrates the beauty of imperfection and “second chances.” Connecting broken shards of pottery delivers a changed vessel.

      Pearls of Peace (PoP) Quiz

349. When has music helped you cope?

350. In what way has music changed you?